Several readers sent word that Android Police has leaked details about YouTube's upcoming subscription service, Music Key. The benefits for users will include ad-free music, offline playback, and audio-only streams. It's expected to cost $10 per month. "Of course, one of Music Key's major value propositions is that users will have access not just to official discographies, but to concert footage, covers, and remixes. Play Music already houses some remixes and covers, but YouTube as a platform is significantly more open and workable for derivative content — the platform is much easier to add content to, and user discoverability is substantially different from Play Music." Others note Google still has to negotiate terms with many independent musicians, who could subsequently see their work blocked if they aren't willing to play by Google's rules.
An anonymous reader writes: Object-based audio is supposed to be the future of surround sound. The ability to pan sound around the room in 3D space as opposed to fixed channel assignments of yesterday's decoders. While this makes a lot of sense at the cinema, it's less likely consumers rush to mount speakers on their ceilings or put little speaker modules on top of their existing ones to bounce sound around the room. ">Leading experts think this will be just a fad like 3DTV was. What do you think?
An anonymous reader writes: High-speed internet has become an everyday tool for most people, and cord-cutters have dramatically slowed the growth of cable TV, so this had to happen eventually: broadband internet subscribers now outnumber cable TV subscribers among the top cable providers in the U.S. According to a new report, these providers account for 49,915,000 broadband subscribers, edging out the number of cable subscribers by about 5,000. As Re/code's Peter Kafka notes, this means that for better or worse, the cable guys are now the internet guys. Kafka says their future is "selling you access to data pipes, and pay TV will be one of the things you use those pipes for."
Brandon Butler writes As an ode to Shark Week: Sharks have been known to show an appetite for fiber cables underwater, and last week a Google official said to prevent sharks from wreaking havoc on the company's trans-Pacific fiber lines, it wraps them in Kevlar. It's believed that the emission of electrical currents from the fiber piping is mistaken by sharks occasionally as prey. In related news, a growing number of scientists are becoming disgruntled with the Discovery network's sensationalist programs. Many shark experts are refusing to work with the channel after such programs as their Megalodon "documentary" and their latest Shark of Darkness (not to mention the mermaid special, which was sadly missing a singing crab.)
Sockatume writes The Verge has an article on Discovery's hugely successful Shark Week, discussing how the increasing sensationalist special event misrepresents science and exploits nature and local history for shock value. Scientists who appeared in and were misrepresented by the channel's programming are beginning to encourage their peers to stay away from the Discovery network, which stands by the programming 's viewing figures.
Yesterday we ran Part One of this two-part video. This is part two. To recap yesterday's text introduction: Detroit recently hosted the North American Science Fiction Convention, drawing thousands of SF fans to see and hear a variety of talks on all sorts of topics. One of the biggest panels featured a discussion on perhaps the greatest technological disappointment of the past fifty years: Where are our d@%& flying cars? Panelists included author and database consultant Jonathan Stars, expert in Aeronautical Management and 20-year veteran of the Air Force Douglas Johnson, author and founder of the Artemis Project Ian Randal Strock, novelist Cindy A. Matthews, Fermilab physicist Bill Higgins, general manager of a nanotechnology company Dr. Charles Dezelah, and astrobiology expert Dr. Nicolle Zellner. As it turns out, the reality of situation is far less enticing than the dream -- but new technologies offer a glimmer of hope. (Alternate Video Link)
New submitter Mauro sends word that Microsoft has announced upcoming Xbox One support for streaming media both from attached USB devices, such as flash drives, and DLNA media servers. Compatibility with a broad list of media formats will be added by the end of the year, including .MKV files. They also followed up last week's announcement of a digital TV tuner with an interesting twist: it will be able to stream broadcasts over a local network to devices running the Smartglass app, which is available on Windows, Android, and iOS.
Ars Technica reports that "J. Michael Straczynski will shortly begin work on a rebooted big-screen version of his 1990s sci-fi TV series [Babylon 5]." From the article:
According to JMS's latest announcement, the new script will be targeted at a 2016 theatrical release and will be a reboot of the series rather than a continuation. This is necessary for both dramatic and practical purposes—the series was in regular production from 1994-1998, and the cast has simply aged too far to credibly play themselves again during the series’ main timeline. Additionally, several of the foundational cast members — Michael O'Hare, Andreas Katsulas, Richard Biggs, and Jeff Conaway — have passed away. ... The movie rights to the Babylon 5 property remain in JMS's hands, but the creator is hopeful that this time around, Warner Bros. will choose to finance the film instead of passing on it. Nonetheless (at least according to TV Wise), JMS is prepared to fund the movie through his own production company if necessary — something that wasn't a possibility ten years ago — suggesting that B5 will in fact come to the big screen at last.
An anonymous reader writes "Beginning with the Chrome 38 Beta it's now possible to watch Netflix without any Wine/Silverlight plug-ins but will work natively using Chrome's DRM-HTML5 video capabilities with Netflix. The steps just involve using the latest beta of Chrome and an HTTP user-agent switcher to tell Netflix you're a Windows Chrome user, due to Netflix arbitrarily blocking the Linux build."
jfruh (300774) writes "The Xbox one isn't just a game console: it's also a nifty media set-top box, and it interacts very well with your TV service — as long as you have cable. Cord-cutters will soon be able to attach their Xbox to an antenna — but only in Europe." The peripheral that Microsoft will soon release allows you to integrate over-the-air content into the Xbox One system. From the images Microsoft released it looks like the tuner is a small box with a port for an antenna cable on one end, and the USB cable on the other. Unfortunately for my readers in North America, as of now, the Xbox One Digital TV Tuner is only scheduled to release in Europe. Microsoft says it supports DVB-T, DVB-T2 and DVB-C television channels, which I hope means something to my European readers; Wikipedia tells me these are European over-the-air cable standards. The TV Tuner will be available in late October for 24.99 in the UK, and for €29.99 in France, Italy, Germany and Spain.
An anonymous reader writes with word of new movement on an old front: namely, the rule that makes it hard for sports fans to see coverage of local teams. The 39-year-old blackout rule basically "prevents games from being televised locally when tickets remain unsold." The Federal Communications Commission (FCC), in response to a 2011 petition by consumers, has decided to consider abolishing this rule. The National Football League (NFL) has of course objected, claiming that the rule allows it to keep airing their games on free TV. If that were to change and they would have to move to cable, they argue, the "result would represent a substantial loss of consumer welfare." In their petition to the FCC, consumers point out that the NFL charges "exorbitant prices for tickets" which results in lower attendance. The blackout rule, they claim, therefore punishes fans by preventing them from watching the game if the NFL can't sell enough stadium tickets. NFL yearly profits reportedly number in the billions. Even if the FCC supports the petition, however, sports leagues can and probably will privately negotiate blackouts to boost their revenue.
Cludge (981852) writes with a snippet from the BBC: "And rich they will be: With The Big Bang Theory commissioned until 2017, the show's three biggest names, Jim Parsons (Sheldon), Johnny Galecki (Leonard) and Kaley Cuoco (Penny) are guaranteed to earn $72m (£42.6m) each over the next three seasons. Unsurprisingly, the cost of producing the sitcom has spiraled." I wonder what that works out per line?
Starting at 5:15 am local time on March 26, 2012, James Cameron piloted the Deepsea Challenger to the east depression of the Challenger Deep, the deepest part of the Mariana Trench. He spent three hours exploring the sea floor. Later analysis of the specimens Cameron collected during this and other dives in the submersible revealed many life forms, with at least 100 of them identified as new species. One shrimp-like amphipod was found to produce a compound that was already in clinical trials to treat Alzheimer’s disease. The Deepsea Challenger submersible and science platform was donated to Woods Hole Oceanographic Institution on March 26, 2013, the one-year anniversary of the historic dive. A new National Geographic film chronicling the project from the beginning called, Deepsea Challenge 3D, is coming out August 8th in select theaters. Here's your chance to ask James Cameron and director John Bruno about the film, the dive, and the submersible. As usual, ask as many questions as you'd like, but please, one per post.
First time accepted submitter wijnands (874114) writes Star Wars crews have started filming on the small Irish Island of Skellig Michael. This island, listed as a Unesco world heritage site, features the remains of a 6th century monastery as well as breeding populations of puffins, manx shearwaters, storm petrels, guillemots and kittiwakes. Currently the Irish navy has deployed one vessel to maintain a two-mile exclusion zone around the island. Unesco is now concerned about what is going on the island, which is only visited 13 times a year by tourist groups, and has asked the Irish government for an explanation.
Lucas123 writes: The Alliance of Artists and Recording Companies is suing Ford and General Motors for millions of dollars over alleged copyrights infringement violations because their vehicles' CD players can rip music to infotainment center hard drives. The AARC claims in its filing (PDF) that the CD player's ability to copy music violates the Audio Home Recording Act of 1992. The Act protects against distributing digital audio recording devices whose primary purpose is to rip copyrighted material. For example, Ford's owner's manual explains, "Your mobile media navigation system has a Jukebox which allows you to save desired tracks or CDs to the hard drive for later access. The hard drive can store up to 10GB (164 hours; approximately 2,472 tracks) of music." The AARC wants $2,500 for each digital audio recording device installed in a vehicle, the amount it says should have been paid in royalties.
An anonymous reader writes: The first teaser trailer for the final installment of the Middle Earth saga, The Hobbit: The Battle of Five Armies, debuted at Comic-Con, and now Warner Bros have made it available online. While the trailer contains some nice shots on a visual level, very much in keeping with the Lord of the Rings trilogy, about 80% of the trailer's awesomeness is provided by the background music. Pippin's mournful song from Return of the King plays intercut with the doomed mission that Faramir leads on his father Denethor's orders.
hawkinspeter (831501) writes Amazon has given the green light to produce the Hugo award-winning "The Man in the High Castle". This is after the four-hour mini-series was rejected by Syfy and afterwards by the BBC.
Philip K Dick's novel takes place in an alternate universe where the Axis Powers won the Second World War. It's one of his most successful works, probably due to him actually spending the time to do some editing on it (most of his fiction was produced rapidly in order to get some money). Ridley Scott has previously adapted PKD's "Do Androids Dream of Electric Sheep" as the film Blade Runner, so it will be interesting to see how close he keeps to the source material this time. This news has been picked up by a few sites: International Business Times; The Register and Deadline.